Review – Badgerlands

Cover of Badgerlands by Patrick BarkhamBadgerlands, Patrick Barkham

A mostly interesting, mostly charming look at the twilight world of one of Britain’s iconic animals. It does a good job of going into the history of badgers and discussing why they’re seen as pests, when they started to be rehabilitated, even a little about one of Britain’s more famous badgers (the one from The Wind in the Willows, of course) and his author. It’s part natural history, part social history, and then veers into the modern problem of badger culling, etc.

Quite interesting, but I skipped some chapters because they didn’t interest me, and there was a slight tinge of superiority in Barkham’s attitude in some places.

Rating: 3/5


Review – Catastrophes and Lesser Calamities

Cover of Catastrophes and Other Lesser Calamities by Tony HallamCatastrophes and Lesser Calamities, Tony Hallam

Cheerful title, I know. It’s about mass extinctions, in theory: not just the really iconic one at the K-T boundary (that’s the dinosaurs), but the end-Permian, and others that have been defined as extinctions, some in more detail than others. I was hoping it would focus on the causes of mass extinctions and the immediate effects on animals, but actually it included a lot of geology and didn’t spend that much time discussing specific extinctions — more like ways we can find those extinctions in the fossil record, and even to what extent we can call these events mass extinctions. (For example, by the time you reach the K-T boundary in the record, most dinosaurs were already extinct and the diversity of species was tailing off.)

It’s a little dry, but not a bad guide; I only really skimmed parts of it, because I know a lot of this info about geology. It is interesting to see some things that people think they know being examined and the foundations weakened, though.

Rating: 3/5

Review – Freaks of Nature

Cover of Freaks of Nature by Mark BlumbergFreaks of Nature, Mark S. Blumberg

The title put me off this right away, the opening chapter helped somewhat because it promised to be more than a parade of curiosities, showing some sympathy and understanding, but ultimately I didn’t feel it did really manage to rise above that. There was a lot of reiteration about ‘circus freaks’, etc, and I don’t think it got past the novelty factor of such cases. There were some rather odd assertions — that the figure of Atlas could’ve been inspired by people with a developmental issue who ended up with a globe of brain matter sticking out from their shoulders, for example; it seems a rather ridiculous idea to me, and I couldn’t find anyone else saying the same thing. And saying Janus could’ve been inspired by cases where faces appear on both sides of the skull — maybe, but I think it more likely it’s a metaphorical depiction arising from what the god was said to do.

The science wasn’t particularly in depth or surprising. I don’t think anyone denies that developmental factors can be as important as genetics during gestation.

Rating: 1/5

Review – The Man Who Mistook His Wife for a Hat

Cover of The Man Who Mistook His Wife for a Hat by Oliver SacksThe Man Who Mistook His Wife for a Hat, Oliver Sacks

The title makes this sound… odd. It made me worry that we were going to end up laughing at the plight of people with neurological disorders and defects, the first time I heard of it. But I was assured that Sacks was, overall, a decent guy, so I decided I probably should give it a try — especially since it’s one of those books that everyone seems to associate with neurology. Some of Sacks’ language is horribly out of date now (it’s jarring to read about ‘retardeds’, etc, even if the word was more acceptable then and had a medical meaning), and I can sympathise with people who felt that some of the language was too technical — it wasn’t to me, but I’ve had plenty of exposure.

I think it mostly avoided the ‘freak circus’ effect, with a kind of tenderness about most of the cases described. One or two points I disliked were when Sacks tries to decide whether or not amnesiac people are ‘de-souled’ — so dehumanising and just… not appealing — and one where he made a kind of connection with a patient, or thought he had, and then immediately pulled back to avoid… what? Communicating honestly with a patient, getting into their world a little bit? Maybe I would see that differently as a doctor, but reading it, I couldn’t help but think what an opportunity was missed.

Not all of the cases are fully described here, with the ins and outs and whys and wherefores; sometimes a diagnosis is assumed. But it is an interesting account of the many ways the human brain can go wrong, and the unexpected effects it can have.

Rating: 3/5

Review – An Astronaut’s Guide to Life on Earth

Cover of An Astronaut's Guide to Life on Earth by Chris HadfieldAn Astronaut’s Guide to Life on Earth, Chris Hadfield

I’ve been meaning to read this forever, after getting quite into the videos Chris Hadfield posted and the stuff he tweeted when he was on the International Space Station. This is both less glamorous than you’d imagine an astronaut’s book to be, and more practical in terms of actual advice about everyday life. There are details about NASA, about what it’s like to fly a plane or go into space, etc, but there’s also a lot about being a team player, communication with family, and all sorts of ordinary things that maybe you wouldn’t think an astronaut would talk about.

Overall, Hadfield comes off as a down to earth (ha) and likeable guy, with a sense of humour about life and humility about his achievements, even though they’re pretty epic achievements. I found his book mostly interesting, although sometimes talking about bureaucracy was just bewilderingly frustrating — and why should he have exploratory surgery to prove that he doesn’t need exploratory surgery again? Aaargh, world, you are weird.

It’s mostly not really about being an astronaut. It’s about loving your job, working hard, and trying to be a decent human being. The moments of wonder are there too, but this is mostly about the road taken to get there.

Rating: 4/5

Review – The Colouring Book for Grown-Ups

The Colouring Book for Grown-UpsThe Colouring Book for Grown-Ups, Arcturus Publishing

Quite a hefty collection of pictures to colour here, and an amazing variety, from twee fairies to Chinese dragons and back through mandalas to flowers. It really is just colouring, with no doodling or mindfulness advice, though there is a bit of advice on colouring and using your imagination in the front, which I duly ignored. I’m also duly ignoring the fairies and so on; I really prefer to colour patterns, I’ve found. There’s still a fair amount of that in here.

The paper is quite thin, so if you’re going to use felt tips or markers, you need to put a piece of paper between the pages to protect the next design. Unlike some other books, though, it doesn’t have designs on both side of the pages, so you don’t end up ruining anything as long as you remember to put a piece of paper behind the page you’re colouring.

Rating: 4/5

Review – Permanent Present Tense

Cover of Permanent Present Tense by Suzanne ChorkinPermanent Present Tense, Suzanne Corkin

The first thing you should be aware of about this book is that Suzanne Corkin was one of the people who did most research with Henry Molaison before his death, even involving herself in who was his guardian and the arrangements for what would happen after his death. She liked him, and clearly thought that he was a good man, but she also remained first and foremost a researcher. So she was pleased when, after his death, they successfully removed his brain intact for study. If that’s going to bother you, this may not be the book for you; Corkin remains a scientist primarily, throughout.

For me, though, it was fascinating. It explains a lot about the various different tests that were done on Henry Molaison, yes, but it also describes his willing cooperation, his character, the way the operation which took his memories affected him, even his sense of humour and the things he enjoyed. According to Corkin — and I’ve heard nothing to contradict this — he was happy to offer himself up for research, happy to contribute to medical science. It ends up being a touching account because of that: the number of people who cared about what happened to him, about his legacy, and the number of people who benefited because of his willingness to be studied.

Of course, you can question whether he would have been so willing if he remembered the immense number of trials he was run through, the sheer amount of time he spent in the labs. Probably not, I would think — it requires an immense amount of patience, after all. But if he had his memory, he wouldn’t have been the object of so much study, so it’s a bit of a circular argument. I would be interested in reading a book about the ethics behind all the experiments run on him and if any of them caused him any distress, etc, but as it is here, it doesn’t seem so — and certainly the fact that he was closely monitored at all times made sure he received good medical care throughout his life.

It’s difficult to construct a continuous narrative of a life as necessarily fragmented as Henry’s, so Corkin follows the progress of study on his brain instead. It’s not primarily about H.M. in that sense — except that without him, those advances couldn’t have been made. I think it still brings across a tenderness and affection for the man, despite Corkin’s academic interest.

Rating: 5/5

Stacking the Shelves

It’s been a bit of a weird and wonderful week for me, as far as acquisitions go — which surprises nobody, really. My trip last weekend to a consciousness workshop in London was really interested, and prompted pretty much all the non-fiction I’ve picked up, and then I had a three hour monster exam on Wednesday on maths and science, and my mother provided a nice chunk of Amazon voucher to reward me, so… yeah. Books!

I don’t know if I mentioned I also got a new Kindle recently — a Kindle Voyage, which has been christened Glyph, and which I should write a review of soon.


Cover of The Edge of Uncertainty by Michael Brooks Cover of 13 Things That Don't Make Sense by Michael Brooks Cover of The Technological Singularity by Murray Shanahan

Cover of The Tell-Tale Brain by V.S. Ramachandran Cover of Self Comes to Mind by Antonio Damasio Cover of A Portrait of the Brain by Adam Zeman

Cover of The Man Who Mistook His Wife for a Hat by Oliver Sacks

I know, I know, it’s a little unbelievable I haven’t read more of Sacks’ work already. Working on it!

On a side note, since this week covered my weird reading habits, here’s a weird blogging habit: I prefer multiples of three for covers in a row. Two is acceptable. That Oliver Sacks cover on its own is a travesty that, if I’d noticed before, I’d have fixed by getting out another library book on neurology.

Fiction (bought)

Cover of The Golem and the Djinni by Helene Wecker Cover of The Boy Who Lost Fairyland by Catherynne M. Valente Cover of Chapelwood by Cherie Priest

Cover of The Heart of Valour by Tanya Huff Cover of Valour's Trial by Tanya Huff Cover of The Truth of Valour by Tanya Huff

Cover of Farlander by Col Buchanan Cover of Sunset Mantle by Alter S. Reiss

Sunset Mantle was blurbed by Jo Walton, so I’m very much looking forward to it. I noticed the Tanya Huff books were only £2.50 ish each on Kindle, so I grabbed ’em to complete my collection. Goodness knows when I’ll get round to all this reading…

Fiction (library)

Cover of The Gate to Women's Country by Sherri S. Tepper Cover of London Falling by Paul Cornell Cover of Hard to Be A God by Boris and Arkady Strugatsky

I have a challenge/resolution to read more of the SF Masterworks, and I’ve been meaning to try London Falling for a while, so they were my somewhat random choices at the library.

And that’s it! It’s been a busy ol’ week. How’s everyone else been doing? What have you been reading, acquiring, reviewing and squealing over? Do tell.

Review – The Art Therapy Colouring Book

Cover of The Art Therapy Colouring BookThe Art Therapy Colouring Book, Richard Merritt, Hannah Davies, Cindy Wilde

This book has high quality pages, so you can definitely use pens, and there are some lovely designs. They tend to be more finicky — lots of little sections to pen in, rather than big areas to colour — which may or may not suit you. The thing I think is most offputting about this book is that most of the pages are already partly coloured. I’m doing the fox from the front cover, for instance, and it comes with a coloured background and some sections of the head already coloured. Normally, I’m one of those creatures who prefers to colour in the lines and with the colours of nature, so I was a little hesitant about my rainbow fox. On the other hand, sometimes it’s nice to just colour something in differently, and see what it looks like as a complete picture — you might consider the already coloured parts of the pictures to be a sort of challenge to get really creative!

The last third of the book is for ‘doodling’, though there’s some scope for colouring, too. I was less interested in this stuff, and don’t know if I’ll really make use of it. The whole point of colouring books, for me, is that my dubious drawing skills don’t come into it.

Still, high quality book, and some of the multicolour designs come out looking surprisingly good, if you want to try something different.

Rating: 3/5

Review – Built By Animals

Cover of Built by Animals by HansellBuilt By Animals, Mike Hansell

This is not a book full of gorgeous full colour photographs of bowers made by birds, chimpanzee tools, termite nests, etc. I was a bit baffled to see someone giving it less stars because it isn’t that kind of book. Instead, it’s a book that goes into how making structures and using tools could be evolved, and whether it’s automatically a sign of intelligence. To me, the point begins to get a bit laboured, because I can well believe that small changes, small steps, can build up to huge effects. I mean, that’s evolution for you. That’s how it works.

The interesting thing, perhaps, is that Hansell would like to be more optimistic about the link between intelligence and tool use, and yet has to acknowledge that the data really doesn’t support it. In consequence, if Hansell told me something is a sign of intelligence, I’d be inclined to believe him. He doesn’t blind himself to the actual data through wanting a certain outcome.

My main issue with this was really the way it sort of… tailed off. There’s a final chapter talking about birds and whether they create art, and perhaps how art developed in humans, and — then there’s nothing. No conclusion. Even the chapter seems to end a bit weakly. I’d like to see something that synthesises the whole argument and presents it in a nutshell, along with any points about data yet to be collected that could shed more light on the issues. I’m sure Hansell could’ve done that; all the info is there. But this critique is maybe more the English Lit graduate part of me.

Rating: 3/5